The Damien Riley Podcast – A Nightmare on Elm Street

In just over 4 minutes running time, I preview this horror classic for you all, especially those who haven’t seen it yet. I urge all horror fans to do so … It’s now streaming on Netflix

‘Crawl or Die’ – Horror in the Pipeline with a Girl

Horror, Sci-Fi, and Thriller never looked so good in a film. It’s been called “The Most Claustrophobic Film.” I would agree with that. For horror fans, those scares are met by the incredible performance of Nicole Alonso. The Director Oklahoma Ward has created a film that sends fear down your spine and makes it impossible to turn away. Several elements work well to make this a perfect indie horror film.

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Crawl or Die (2014)
Cast

Nicole Alonso, Torey Byrne, Tommy Ball

Directed by

Oklahoma Ward

Written by

Oklahoma Ward

Other Info

Horror, Sci-Fi, Thriller
1hr 30min

Just like rock and roll bands try to play what rocks, so horror directors try to know what scares. As long as I can remember people have said claustrophobia is one of the most universal fears. People don’t like being in an enclosed space. Crawl or Die plays on that fear and believe me, it scares!

Furthermore, the fear of unknown creatures is another fear of many and Director Oklahoma Ward weaves a really scary creature into his film. These scary aspects combined with the extreme physicality of Nicole Alonso as “Tank” make Crawl or Die a horror, sci-fi, thrill ride of a film.

A high level security force is chosen to transport the “package,” the last woman on earth that can become pregnant. The earth as we know it is gone and the continuance of humankind rests in the safe passage of this woman.

While transferring this package, the team has to find its way through a labyrinth of pipes and tunnels. As if that wasn’t bad enough, there is a hungry creature that lives in the passages, coming to feed on them.

*The rest of the review may contain minor spoilers

The star of the movie is Tank (Nicole Alonso). She plays an angry, sexy, soldier role in the manner of Avatar‘s Trudy Chacón (Michelle Rodriguez), Colombiana‘s Cataleya (Zoe Saldana), Alien‘s Ripley (Sigourney Weaver), and the like. Alonso’s physical acting is extreme. You see her pulling her own weight to and fro inside the pipes with artistry and grace. She is fun to watch and definitely easy on the eyes. At the same time, there is a determination in her eyes that builds suspense and keeps you guessing about the horror that is right behind them all.

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The creature definitely adds to the terror. In the scenes where you expect the creature to appear, Oklahoma Ward (Director) has deftly added subsonic beats that are choreographed to stop. In some of the early scenes, it seems an eternity before the creature crumbles its spider-like leg through the dirt. This works perfectly to release the scares that are not always that scary. It’s more the waiting on bated breath that creates the horror. Having said that, there are plenty of scares that send chills down your spine. It’s refreshing and remarkable what Ward and Alonso did in this film with such a simple set and formula. This is definitely a movie-makers movie as well as a critic’s film. There is much to talk about. I know I’ll be looking for an interview with the makers soon.

To expand on the “simple conventions” idea: I noticed the team used flashlights in an interesting way. They hung them on their boots as well as held them in their left hand while holding a gun in their right. I suppose when you are in a tunnel that’s getting smaller, you hold your light just about any way you can. The gun is a good thing too although it appeared that even an AK-47 assault type rifle cannot take out this monster. I’ve read online that this is to be the first film in a “Crawl or Die” trilogy. I will be eager to see how Ward uses more simplified effects to produce scares and suspense. As an independent film trying to use minimal budget and conventions to scare, I give this film a perfect score. I am a fan now and am looking forward to next one!

You can follow what’s happening with the Crawl or Die trilogy here.

Killer Klowns from Outer Space (1988)

The 80’s has some simple movies that made for some really good memories. This horror film is like that only it’s more like a Pee Wee Herman film than a Back to the Future.

The effects are just silly. Still, they had a particular charm and allure to them. Through a random series of events, we find out that clowns have laded from outer space and they are looking to recolonize their planet by placing people into cotton candy cocoons. You shuld be in a weird mood before you watch this film. It’s not a traditional horror. Rather, it’s more goofy, silly, twisted humor.

FINAL THOUGHTS
I have to be careful recommending this film because it’s not a traditional horror. The clowns indeed kill people but they are so goofy in the things they do, they’re not scary in the slightest. I understand this film has made money off of action figures and other movie related products. It didn’t do well at the box office. Sine 1988 when it was made it has gathered a following of cult-like movie people, If you have a goofy sense of humor, check this film out and then leave me your thoughts in a comment. I would love to start a dialog about this film.

7/10

The Midnight Meat Train – Now Streaming on Netflix

I want to get the word out about this horror/gore/mystery flick streaming on Netflix. This is a “preview” of the film. The short duration is 4min 50sec


The Midnight Meat Train (2008)

Rarely have I seen such art attributed to a violent serial killer. I’m surprised to say the film still drew me in and put me in that indefinable trance one can sometimes feel from horror. This killer has tools and moves he wields like deathly musical instruments as he kills on the midnight train.

I like this director, Ryûhei Kitamura if for no other reason than that he was born the same year as me. He has a long history of Japanese horror and mystery films. I have seen none of them. I wonder if any of his past films have as much blood and violent gore as this one does.

Bradley Cooper is the biggest name in this film. He’ a struggling and idealistic photographer. His wife introduces him to a big name and that’s when the film starts to chug down the tracks. It’s a ride you’ll not soon forget. Another big name in this is Brooke Shields.

Here’s a no spoiler summary: There is a killer that stalks a certain train every night. He kills people on the train in unthinkable ways. It’s all filmed i a sort of Matrix strobe/slow motion way so you can really take in the eyeballs popping out and the entrails spilling onto the floor. This may be one of the bloodiest ones I’ve seen. It’s good though. Bradley Cooper inadvertently photographs the killer and seeks to destroy him. The results are not what he had expected.

This was a bloody film and certainly not one to watch with your kids. It is however streaming on Netflix so that makes it easy to get for many people. It’s a good revenge horror. The only problem I had with it was the way they dealt with the conflict in the last quarter, See what you think and leave me a comment. A dialogue is the best part of blogging for me.

FINAL THOUGHTS
I thought the music and cinematography made this more of a “killer’s opera” than a slice and dice film. It was amazing to look at when the killing was at bay and even the killing had a certain order to the chaos. It drew me in. I was interested why this man did these horrible things. In my opinion, the answer is only partly given. I would recommend this to fans of the serial killer and gore genre. All else, run for the train exit.

6/10

10 Cloverfield Lane (2016)

“It’s just our family now. We can do whatever we want.”

10 Cloverfield is another point of view of the same situation. A woman is in a terrible car crash and wakes up in the bunker of a doomsday prepper. She thinks escape is what she wants but she has yet to find out what is actually going on outside. Minor plot spoilers ahead.

Cast
John Goodman

as Howard

Mary Elizabeth Winstead

as Michelle

John Gallagher Jr.

as Emmett

Directed by
Dan Trachtenberg
Written by
Josh Campbell, Matthew Stuecken, Damien Chazelle
Other Info

Thriller, Drama, Horror, Mystery
Rated PG-13
1h 43min

The imprisonment of someone against their will and without cause is a horrid crime. John Goodman plays Howard, the captor. Michelle is the captive and she does an amazing job acting in this film. We relate with her in her plight. Like the recent film “Room” we feel as if we are in the room with her. But I want to let you know that while a confinement theme seemed boring to me at first, there is much more going on in this thriller.

Emmett is another hapless inhabitant of Howard’s shelter. It’s underground and solid. Howard sought refuge with Howard when the disaster started happening. We aren’t told what that disaster is until later in the film. This is a mystery and half the fun is figuring out what the next part of the story is at every turn.

There’s a lot of talk on the internet about whether this is a sequel to “Cloverfield” (2008). I’ve come to my conclusions and I’ll leave it at that. I will say that I don’t think I would have enjoyed this movie as much if I knew the answer to that question so I recommend going in innocent. After you see it, you can look it up to your hearts content. Without giving you an answer, I’ll say these are two completely different movie in theme, style, and genre.

My favorite part of this movie is the character of Michelle. She makes the movie great. Second is John Goodman. If you can get over your menta block of seeing him as Dan Connor, you’ll see a serious, solid, scary, intuitive performance from him. He’s no happy-go-lucky. I enjoyed this thriller beginning to end, for all the reasons I’ve mention, it gets full 5 stars from me. I highly recommend it.