Secretary

The movie Secretary (2002 Rated R) seeks to portray sexual control in a relationship. This is probably a really hard thing to do straight out so the movie makes a sort of comic book story to get its point across.

The result is a jarring, strangely erotic tale of control between a cutter and a BDSM dominant. Though the writing and sets are comic-book like, this is definitely not one to show the kids. This film, replete with nudity and graphic themes like cutting, can be viewed however as a close look at how lovers can control each other in relationships. Not everything here is meant to be sexual.

This film was directed by Steven Shainberg and stars Maggie Gyllenthal and James Spader and the couple it centers on. While the director is not known for a slough of films, the actors are well known for many movies. Both deliver passionate performances. There is nudity and once again, this is not a film for kids. It is however well acted and the writing is bizarre yet enjoyable. None of this is anything I do but it helps me get what this sort of stuff is about. I found that interesting.

Here is the storyline from IMDB:

Lee Holloway is a smart, quirky woman in her twenties who returns to her hometown in Florida after a brief stay in a mental hospital. In search of relief from herself and her oppressive childhood environment, she starts to date a nerdy friend from high school and takes a job as a secretary in a local law firm, soon developing an obsessive crush on her older boss, Mr. Grey. Through their increasingly bizarre relationship, Lee follows her deepest longings to the heights of masochism and finally to a place of self-affirmation.

This movie bears indictable resemblance to “Fifty Shades of Grey” but is more than just a tale of BDSM sexual encounters. I gave it a 4.5/5 because I think the director succeeded in showing the power we can hold over our significant others. It lost points with me in the way that it wasn’t a more realistic portrayal. We are obviously not all like Mr. Grey and few like Mr. Grey will find requited love. Still, we do hold each other captive sometimes and it’s interesting to think about how we do that while watching this movie.

The Snowtown Murders

Racists exist. We as a society learned this best through daytime talk shows all through the 90’s. I recall more than a few toothless pontificators.

Those are the entertaining kind, the scariest ones operate covertly in families. And then there are those who are neither covert nor entertaining, those whom are pure evil. John is such a man. Though many will interpret this movie as macabre horror, it doesn’t attempt to be that. Instead it strives to be an endurance test in tense human relationships and murder. In the final analysis it’s a study about bigotry in poverty left unchallenged. The real John is serving 11 consecutive life sentences for torture and murder. Young men need role models. Without them, they are susceptible to the Johns out there.

This film was directed by Justin Kurzel, it was his directorial debut. The lead role of serial killer John Bunting is played by relative newcomer Daniel Henshall. Daniel’s performance in this film has already won him multiple awards. I add my praise to that, he does an excellent job at being scary and believable. The scariest part about him is that he could be the neighbor helping you take in your groceries.

This film is based on a true story of a serial killer. A summary of the film is as follows: Jamie looks up to his mother Elizabeth’s new boyfriend John. They live in an Australian form of welfare housing in an under-decorated environment. There are sweet family moments depicting a happy family. Jamie’s 2 younger siblings run around and play like any normal kids their age. What is not normal is the judgmental, bigotry that John espouses. Early on the family clings to his stability. In a world that seems to care so little, John is their stability. Most the movie is a study of Jamie and John’s relationship. Jamie learns to trust and respect John even up to the point of killing with him. More than a macabre horror tale, which it decidedly is, the film shows the environment in which a real serial killer survived and thrived.

The acting and sets are superb. I was on the edge of my seat the whole 2 hours. While there isn’t a ton of gratuitous violence, there is some truly hideous stuff here. It will not appeal to a wide audience because of this. The killer is not glorified but clearly the director seeks to show how a serial killer can grow and thrive in a disenfranchised, impoverished social strata. I liked the character development but would have preferred more tender moments between the characters. It was as if everyone was tortured 24/7. Does respect really grow out of that? It seemed to me Jamie would have gone to the police early on if his life were that miserable. There is nothing to like in John and what we can like in Jamie is neutralized early on when they start killing. If you watch the Snowtown Murders you will find it obtusely disturbing as I did. Well, at least I hope you will.

Argo

The film Argo is the story of how a CIA team rescued hostages from Iran. It is based on true events. In this film, the horrors of 1979 Iran contrast with the humor of making a fake movie making it both serious and comic.

Argo is directed by Ben Affleck, known for the Town and a host of other movies. It has a star cast that includes: Bryan Cranston as Jack ODonnell, Alan Arkin as Lester Siegel, and John Goodman as John Chambers. At time of this review, it is the number one movie at the box office. It tells the suspenseful story of how our government saved hostages from Iran under the guise of scouting a movie location.

The basic story is as follows: The American embassy in Iran was invaded in 1979 by Iranian revolutionaries. It was a bloodbath. Six Ambassadors escaped to the home of the Canadian Ambassador. The CIA is charged with the impossible job of extracting them from the country. Tony Mendez comes up with a highly unsupported plan to smuggle them out posing as a movie team. Enlisting the help of a real Hollywood script and professional movie experts, Mendez launches the rescue operation.

One aspect that makes Argo great is its character development. So many movies I have seen recently have flat characters so Argo is a breath of fresh air. It does start out a bit slow but once it begins the suspense is like a building drumbeat that delivers in excitement and thrills. Some of the best parts are the vintage television footage and photographs interwoven throughout. With Iran in the news lately as well as the Presidential debates, this movie adds dimension to a largely forgotten part of the world. I can understand why we may want to forget. It is a gripping sketch of what was going on at that time. It reminds me of what it is to be human and what is so human about American movies. One more thing, the movie is exciting but never as real as when Jimmy Carter himself gives commentary just before the credits roll. I wonder what the current Iranians will make of this. It was classified until President Clinton’s administration declassified it.

Here Comes the Boom

There is now another “root for the underdog” fighting film to add to the movie archives. It’s also another try at a “feel good education” film. The Kevin James movie I’m referring to Here Comes the Boom was directed by Frank Coraci, known for other Happy Madison movies like Click and Zookeeper. It’s received a slough of low ratings due to its failed jokes and recycled conventions. Those are valid criticisms but it’s redeemed by its Rocky spirit and good message for teachers to inspire their students. It is decidedly not a Stand and Deliver or Lean on Me … but it does promote inspiration which makes it worth seeing.

IMDB summarizes the film as follows: A high school biology teacher looks to become a successful mixed-martial arts fighter in an effort to raise money to prevent extra-curricular activities from being axed at his cash-strapped school.

As a public school teacher I found many flaws in the way the teacher interacts with the Principal as well as his colleagues. In fact, I criticized most of the way he is portrayed early on. Nonetheless, when he started his UFC fighting, I forgot about all that and enjoyed the ride. I only wish it could have began sooner.

Listen, Kevin James is a smart actor. His King of Queens show is up there with Seinfeld in reruns and syndication. I love it. At this point his career, he wouldn’t willingly release a dud. Even though most the reviewers treat it as such, Here Comes the Boom is quality entertainment with a top notch tip for all teachers.

In the final scenes of the movie, the true purpose of education is revealed: to inspire. There are no standardized test scores reported but we feel inspiration that spreads throughout the student body. It may not portray what’s real about schools today but it reminds us of what teachers should do for their students. For the fight scenes and the inspiring message, it scored stars with me. Unfortunately, the lack of good jokes, a slow beginning, and unrealistic portrayal of a teacher caused it to lose points.

Sully

Tom Hanks once again plays an average American and gives the world someone to believe in. Captain Sully is a decorated pilot who has to crash-land an airplane in the Hudson river. It’s a compelling story for sure but some viewers may find it dull and mundane. If you were ever curious about what happened in this news story, filmmaker Clint Eastwood has a video tale to tale you.

The rest of this review contains spoilers.

To borrow from David Spade: I liked this movie better when it was Flight. One thing I notice with older film makers like Clint Eastwood is that they tend to make movies they think will make a historical contribution. This is admirable but be advised these types of films are often not exciting. In fact, they can be quite boring.

There is great acting in this film but that’s not enough to justify this story being a movie. I think a tv special would have been a better suited genre. I did like the ending, it surprised me. When the panel somehow had a paradigm shift and suspended all judgement of Sully, it was gratifying. Just like in Flight, he is in a lot of trouble the entire length of the film. Unfortunately for me, I feel the story dragged on and I just didn’t find the science that makes up at least 50% of the investigation and the movie interesting. I can’t recommend this film for anyone but that’s not to say pilots and fans of the real sully won’t like it.

O Brother Where Art Thou?

This kind of humor hits fast and hard with some people, for others it has to grow on them a bit. Regardless, for my “folding money” this is some of the funniest stuff in film. I’ve seen this film probably 10 times and it just gets funnier every time I see it. A mix of early Americana and the Odyssey by Homer makes for this hilarious film of crime, salvation, old country/folk music, and comedy.

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I wasn’t really a Clooney fan until I saw this film. He has a recurring line he says that always cracks me up, “We’re in a tight spot.” The fact of the matter is, they are quite often in a tight spot. The cat and mouse chases are most of what makes this film a laugh a minute.

In an allegory to Homer’s Odyssey, some men escape from prison to go on the road. They make their way through recording on the radio, meeting interesting people, escaping close calls with the Ku Klux Klan, and a few other scenes you have to see to truly “get.”

John Goodman reminds them “it’s all about the money” and beats them all with a stick. That’s a funny scene but this film is about a lot more than just money, it has soul. I recommend this film for fans of the Cohen Brothers’ films and those into bluegrass roots and music. Watch it with an open mind since it is not straight ahead comedy. If you can get what it’s doing, you’ll have a good old-time enjoying this country folk crime ride. This film ranks in my top 15 for sure.